Alessandro Jedlowski et Matthias de Groof, « Congolese cinema today: Memories of the present in Kinshasa’s New Wave Cinema (2008-2018) », Francofonia - Studi e ricerche sulle letterature di lingua francese, 2019, p. NC

Alessandro Jedlowski, « Toward new African languages of protest: African documentary films and human rights », in Mette Hjort, Eva Jørholt (dir.), African Cinema and Human Rights, Bloomington, Indiana University Press, 2019, p. NC

Alessandro Jedlowski, « Moral Publics: Human Trafficking, Video Films and the Responsibility of the Postcolonial Subject », Visual Anthropology, N° 3, 2018, pp. 236-252

Alessandro Jedlowski et Cacilda Rêgo, « Latin American telenovelas and African screen media: from reception to production », Journal of African Cultural Studies, N° 2, 2018, pp. 135-150

Alessandro Jedlowski, « African Videoscapes: Southern Nigeria, Ethiopia and Côte d’Ivoire in Comparative Perspective », in Kenneth Harrow, Carmela Garritano (dir.), Companion to African Cinema, Hoboken, Wiley, 2018, p. NC

Alessandro Jedlowski, « Ethiopian Cinema and the Politics of Migration, at Home and abroad », in Michael W. Thomas, Alessandro Jedlowski, Aboneh Ashagrie (dir.), Cine-Ethiopia: The History and Politics of Film in the Horn of Africa, East Lansing, Michigan State University Press, 2018, pp. 161-180

Alessandro Jedlowski, « Violenza e critica sociale nei video nigeriani di Nollywood », in Alessandro Suzzi Valli (dir.), Comunicare l'Africa. Un'ermeneutica attuale delle lingue e dei linguaggi della comunicazione sociale, Roma, Aracne, 2018, pp. 351-380

Alessandro Jedlowski, « African media and the corporate takeover: Video film circulation in the age of neoliberal transformations », African Affairs, N° 465, 2017, pp. 671-691

Alessandro Jedlowski et Ute Röschenthaler, « China–Africa media interactions: media and popular culture between business and state intervention », Journal of African Cultural Studies, N° 1, 2017, pp. 1-10

Alessandro Jedlowski, « Post-imperial affinities and neoliberal convergences: discourses and practices of collaboration between the Nigerian and the Indian film industries », Media, Culture and Society, N° 1, 2017, pp. 23-40

Alessandro Jedlowski et Michaël Thomas, « Representing ‘otherness’ in African popular media: Chinese characters in Ethiopian video-films », Journal of African Cultural Studies, N° 1, 2017, pp. 63-80

Alessandro Jedlowski, « La révolution vidéo en Afrique subsaharienne. Nigéria, Ethiopie et Côte d'Ivoire », Sociétés politiques comparées, 2017, p. NC

Alessandro Jedlowski, « Les transformations de la circulation de films vidéos nigérians en Côte d’Ivoire : Du commerce informel aux grandes sociétés internationales », in Patricia Caillé et Claude Forest (dir.), Regarder des films en Afrique, Villeneuve d’Ascq, Presses Universitaires du Septentrion, 2017, pp. 259-274

Alessandro Jedlowski, « Realism in Nollywood Films: The Materiality of Lagos and the Nigerian Video Film Industry », in James Tar Tsaaior, Françoise Ugochukwu (dir.), Nigerian Film Culture and the Idea of the Nation: Nollywood and National Narration, London, Adonis and Abbey Publishers, 2017, p. NC

Alessandro Jedlowski, « All for a Container! Return Migration, Transport Technologies, and Love Affairs », Transfers, N° 2, 2016, pp. 94-111

Alessandro Jedlowski, « Studying Media “from” the South: African Media Studies and Global Perspectives », Black camera‎ : the newsletter of the Black Film Center/Archives, N° 2, 2016, p. 174

Alessandro Jedlowski, « Migration, prostitution and the representation of the black female subject in Nigerian video films about Italy », Journal of Italian Cinema & Media Studies, N° 1, 2016, pp. 9-23

Alessandro Jedlowski, « Regulating mobility, reshaping accessibility: Nollywood and the piracy scapegoat », in Ute Röschenthaler et Mamadou Diawara (dir.), Copyright Africa: How Intellectual Properties, Media and Markets Transform Immaterial Cultural Goods, Sean Kingston, 2016, p. NC

Alessandro Jedlowski, « Screening Ethiopia: A preliminary study of the history and contemporary developments of film production in Ethiopia », Journal of African Cinemas, N° 2, 2015, pp. 169-185

Alessandro Jedlowski, Patrick Oloko, Ute Röschenthaler et Ibrahima Wane, « Across media: Mobility and transformation of cultural materials in the digital age », Journal of African Media Studies, N° 1, 2015, pp. 3-9

Alessandro Jedlowski, « Avenues of participation and strategies of control: Video film production and social mobility in Ethiopia and southern Nigeria », in Miranda Banks, Vicky Mayer et Bridget Conor (dir.), Production Studies II, The Sequel. Cultural Studies of Global Media Industries, Routledge, 2015, p. NC

Alessandro Jedlowski, « Film marketing in Nollywood », in Nolwenn Mingant, Cecilia Tirtaine et Joel Augros (dir.), Film Marketing Into the Twenty-First Century, Palgrave McMillan, 2015, p. NC

Alessandro Jedlowski, « Nigerian migrants, Nollywood videos and the emergence of an ‘anti-humanitarian’ representation of migration in Italian cinema », in Emma Bond, Guido Bonsaver et Federico Faloppa (dir.), Destination Italy: Representing Migration in Contemporary Media and Narrative, Peter Lang, 2015, p. NC

Alessandro Jedlowski, Jean-Paul Colleyn et Giovanna Santanera, « Nollywood, vetrina di Lagos, della Nigeria e dell’Africa contemporanea », in Aracne editrice int (dir.), Lagos Calling. Nollywood e la reinvenzione del cinema in Africa, Aracne editrice int, 2015, p. NC 

Alessandro Jedlowski, « The women behind the camera: Female entrepreneurship in the southern Nigerian video film industry », in Ute Röschenthaler et Dorothea Schulz (dir.), Cultural Entrepreneurship in Africa, Routledge, 2015, p. NC

Alessandro Jedlowski, « Nigerian Videos in the Global Arena: The Postcolonial Exotic Revisited », The Global South, N° 1, 2013, p. 157

Alessandro Jedlowski, « Exporting Nollywood: Nigerian video filmmaking in Europe », in Petr Szczepanik et Patrick Vonderau (dir.), Behind the Screen: European Contributions to Production Studies, Palgrave McMillan, 2013, p. NC

Alessandro Jedlowski, « From Nollywood to Nollyworld: Processes of transnationalization in the Nigerian video film industry », in Matthias Krings et Onookome Okome (dir.), Global Nollywood: Transnational Dimensions of an African Video Film Industry, Indiana University Press, 2013, p. NC

Alessandro Jedlowski, « Oltre la migrazione: Alla ricerca di un cinema popolare afroitaliano », in Leonardo de Franceschi (dir.), L’Africa in Italia. Per una controstoria postcoloniale del cinema italiano, Aracne, 2013, p. NC

Alessandro Jedlowski, « Small Screen Cinema », Television and New Media, N° 5, 2012, pp. 431-446

Alessandro Jedlowski, « On the periphery of Nollywood: Nigerian video filmmaking in Italy and the emergence of intercultural aesthetics », in Cristina Lombardi-Diop et Caterina Romeo (dir.), Postcolonial Italy: Challenging National Homogeneity, Palgrave McMillan, 2012, p. NC

Alessandro Jedlowski, « Una nuova voce nel cinema italiano? L’emergenza di forme di cinema migrante in Italia », in Vanessa Lanari, Fabbrizio Colombo et Stefano Gaiga (dir.), Camera Africa: Classici, noir, Nollywood e la nuova generazione del cinema delle Afriche, Cierre Edizioni, 2011, p. NC

Alessandro Jedlowski, « When the Nigerian video film industry became ‘Nollywood’: Naming, branding and the videos’ transnational mobility », Estudos Afro-Asiáticos, 2011, p. NC

Alessandro Jedlowski, « Suole di vento. Jean Rouch fra antropologia e cinema », Achab, Rivista di Antropologia, 2009, p. NC

Alessandro Jedlowski, « Constructing artworks: Issues of authorship and articulation around Seydou Keïta’s Photographs », Nordic Journal of African studies, 2008, p. NC

Alessandro Jedlowski, « Violenza, teatro e resistenza. Un breve percorso attraverso l’opera di Dieudonné Niangouna », Africana studia, 2008, p. NC

Alessandro Jedlowski, « Roots and Roads: L’afrocentrismo contemporaneo fra i neri della diaspora americana », Africana studia, 2006, p. NC

Alessandro Jedlowski, « Palabras combativas. Entre poética e identitad: la posicion de Kossi Efoui en el panorama postcolonial », Africana studia, 2005, p. NC